![]() The 1. 0 Best Modern Scandinavian Horror Movies « Taste of Cinema. Generally, there is little to no focus on Scandinavian horror movies, and usually for a good reason. The movies are few enough, and there is far enough between them for the mainstream- international audience to simply not notice them. However, for the few good Scandinavian horror movies that exists, they are quite versatile. The sub- genres they are made in can cover everything from slasher to psychological thriller, and from splatter to horror- romance, and they can excel in all of them. The following list contains the ten best Scandinavian horror movies of the modern era. Please notice: the term modern is a very vague term, but for this lists purpose, . At the same time: the definition of Scandinavia is the kingdoms of Denmark, Norway, and Sweden. Therefore, Finland will unfortunately be excluded from this list, so an honourable mention goes to Rare Exports: A Christmas Tale (2. Sauna (2. 00. 8). Dead Snow (2. 00. ![]() Norway)Who would have guessed that thirty years after the zombie crave of the ? And who would have guessed that it would come from Norway, of all places? Dead Snow (D. But not just zombies, Nazi- zombies. Dead Snow is oftentimes compared to movies like Dead Alive (Peter Jackson, 1. Dead Snow manages to blend horror and dark comedy, to a point where the viewer laughs at a guy gets his head split open, but it still manages to keep the viewer invested in the characters enough to root for them. The best part of the film is undoubtedly the ten minutes sequence of the students fighting the Nazi- Zombie division with a chainsaw and various other weapons, a scene featuring blood and gore enough for a Kill Bill sequence (and coincidentally the director, Tommy Wirkola, also made the Norwegian Kill Bill parody . But in the end, the tag- line probably says everything you need to know: “Ein, Zwei, Die!”9. Upcoming Horror Movies and Films - New movies listing & films not yet released! Go-to source for getting a quick view of new films in production! The year of horror is almost upon us, and these are some of the most highly anticipated, talked about and genuinely scary horror films set to hit theaters in 2016. The Monitor aka Babycall (2. Norway)The Monitor is a Norwegian psychological horror- thriller directed by P. It stars Noomi Rapace (who we know from the Millennium trilogy) as a paranoid mother with an abusive ex- husband. She is a bit too overprotective for her eight- year- old son, leading her to place a baby monitor in his room, but the monitor begins to pick up some disturbing transmissions. The Monitor is a well- crafted horror- thriller, that manages to create a chilling an unsettling atmosphere and contains some legitimate tension and suspense. It is constructed in a way that gets under ones skin, almost instantaneously it makes the audience feel sympathy for Rapace’s character, largely due to her excellent performance. The pacing and her performance really makes the audience understand her paranoia. Let’s explore the best horror movies of 2015. The scary list features the usual mix of reboots ( Can you guess which film comes in at number one? Cheech and Chong. Tony Montana. Reefer Madness. These are some of the characters and films that normally come. Watch free Horror movies online at Popcornflix. Popcornflix has hundreds of Horror movies to watch for free online. ![]() The movie might not be that original, but it is worth watching for the performances alone. Thale (2. 01. 2, Norway)Thale is a supernatural horror movie by writer/director Aleksander Nordaas. It follows Elvis and Leo (Erlend Nervold and Jon Sigve Skard), two crime scene cleaners, who are hired to clean up a house after a death. In the basement of said house, they discover Thale (Silje Rein. It is made for an impressively low budget of $1. CGI, but for the most part the movie looks surprisingly good. It is a slow- paced movie, without feeling dull, and it manages to create a sense of dread and suspense. It features a terrific score, the acting is good, most notably the performance by Silje Rein. The movie also features some great cinematography, great set design, and a nice use of colour, all of which becomes even more impressive when the movie has this tiny of a budget. Evil Ed (1. 99. 5, Sweden)As Norway made the grindhouse- esque Dead Snow, Sweden made the grindhouse- esque Evil Ed 1. The movie follows Edward Tor Swenson (Johan Rudebeck) who is a film editor for the fictional horror franchise . After watching and cutting through hours of the gory movies, he is driven insane, and he goes on a murderous rampage as Evil Ed. The movie is mostly a parody on the gore fests of the 8. At the same time it includes numerous homages to some of the great horror classics, like Halloween, The Silence of the Lambs, and The Shining, but most notably the Evil Dead movies, with references such as a character named Sam Campbell and of course the title. As with Dead Snow, Evil Ed features an enjoyably large amount of over the top gore. From the opening scene where the previous editor blows himself up with the most contained explosion to ever come out of a hand grenade (and his boss’s reaction is simply to wipe the blood of his glasses), to the over the top killing spree at the end of the movie. Evil Ed is a fun, over the top, movie with enough gore to satisfy the same audiences who liked Dead Snow. Next Door (2. 00. Norway)Next Door is the second movie by director P. It centres on John (Kristoffer Joner), who recently has been dumped by his girlfriend Ingrid (Anna Bache- Wiig). He finds comfort with his next- door neighbours, the beautiful sisters Anne (Cecilie Mosli) and Kim (Julia Schacht). But he soon realises that the sisters know a strange details about him and Ingrid, and it soon becomes clear something is horribly wrong. The movie is a dive into creepy rooms and the fragile psyche of the characters. It is a claustrophobic psychological thriller with a dark, chilling, and disturbing atmosphere. The plot has enough twists to keep the viewer guessing as to exactly where it is heading. The acting and camera work is very good, the story is interesting and the characters and dialog is well written. As with The Monitor, Next Door covers little to no new ground for its genre, but it is still a very well made movie, and definitely worth the watch. Director: William Friedkin. Cast: Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow. Forty years of sucking cocks in hell. By the ’7. 0s, horror had divided into two camps: on one hand, there were the . On the other, there were the more outrageous dream- horrors popular in Europe, the work of Hammer Studios in the UK and Mario Bava and Dario Argento in Italy, films that prized artistry, oddity and explicit gore over narrative logic. The first film to attempt to bring the two together was . The first to achieve that blend with absolute certainty was . And make no mistake: ? That it still succeeds, almost four decades later, is testament to Friedkin’s remarkable vision. Horror Movies. In this exquisitely made and terrifying new horror film, the age- old concepts of witchcraft, black magic and possession are innovatively brought together to tell the intimate and riveting story of one family's frightful unraveling in the New England wilderness circa 1. New England, 1. 63. Upon threat of banishment by the church, an English farmer leaves his colonial plantation, relocating his wife and five children to a remote plot of land on the edge of an ominous forest - within which lurks an unknown evil. Strange and unsettling things begin to happen almost immediately - animals turn malevolent, crops fail, and one child disappears as another becomes seemingly possessed by an evil spirit. With suspicion and paranoia mounting, family members accuse teenage daughter Thomasin of witchcraft, charges she adamantly denies. As circumstances grow more treacherous, each family member's faith, loyalty and love become tested in shocking and unforgettable ways. Writer/director Robert Eggers' debut feature, which premiered to great acclaim at the 2. Sundance Film Festival - winning the Best Director Prize in the U. S. Narrative Competition - painstakingly recreates a God- fearing New England decades before the 1. Salem witch trials, in which religious convictions tragically turned to mass hysteria. Told through the eyes of the adolescent Thomasin - in a star- making turn by newcomer Anya Taylor- Joy - and supported by mesmerizing camera work and a powerful musical score, The Witch is a chilling and groundbreaking new take on the genre.
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